KOOKOO

The gong can hardly be called an instrument. It should be thought of as a partner. Something, or rather: someone that is not so much about being played as it is about being felt, accepted, lived with. When interacting with this sounding companion on a meaningful level, one can’t tell who is the agent of modulation or decision, as cause and effect merge into one. Ira Hadžić approaches the gong by establishing a loop of give-and-take, a mutual relationship in which her creative impulse commingles with metal, and vibration, and aura. She does not play the gong, but enjoys the productive mishearings, surprising consonances, and subtleties that arise when communicating with it. If the connection clicks—or oscillates and flows—it suspends the strict regime of time and opens windows into the before, the after, the beyond. For Kookoo, at her first concert back in Berlin after several months of travelling in New Zealand and Australia, Ira Hadžić interacts with a new setup consisting of smaller gongs. Together, they establish more interdependent relationships and create more opportunities to lose oneself outside of time. The sculptures, videos, and paintings of fine artist Linda Havenstein reflect her thorough engagement with the present day. With life in the post-digital age and the questioning of power relations in human-technology-money interactions. A long-time supporter of Kookoo, Linda Havenstein is finally back with her work at Ohm which she presents in a site-specific installation dealing with the (in-)visibility of structures and systems. Anna Butter’s take on DJing, and on music in general, could be described as a form of critical audio storytelling. Not only because of her use of movie samples and the cinematic quality that the sequence of her selections creates—as demonstrated in her two previous Kookoo appearances—Anna Butter’s sets are akin to the worldbuilding in the best of science fiction: so unexpected yet tangible that it all becomes real, expressed in a…