Deradoorian

**Deradoorian**

Songwriter and multi-instrumentalist Deradoorian (Decisive Pink, Dirty Projectors) signs to Fire Records, announces new album ‘Ready for Heaven’. Her latest single ‘Set Me Free’ is a wonderfully disarming song, simply done. It doesn’t ask more from us than to trust and act on its title; Deradoorian relies on the vocals and classical synth styles which encourages a gentle lullaby to express itself.

‘Ready for Heaven’ deals with heaven and earth, damnation and salvation, and using intelligence against rampant, naked greed. It is a classic forty minute set of inquisitive pop songs, blessed with a lightness of touch and a sharp focus that can’t help but charm the listener. It conjures up some last, faint afterglow of the old belief that an electronic, programmed beat can smash itself – and you – into another, more egalitarian consciousness.

“Deradoorian’s voice is the main attraction. Wispy one moment, bellowing full-throated the next, and capable of dazzling melismatic runs, it remains her not-so-secret weapon.” Pitchfork

It is a remarkable fact that this bold and open-hearted record is made by one person, working alone. Repeatedly reworking the songs until they were complete is a painstaking process that generated an energy and space where Deradoorian could indulge in the arcana of her artform. “I love the production more than the songwriting. [...] In fact, I don’t even feel like a songwriter at times, I feel like someone who is just inspired by so much music. And I want to try it all out! Like Lizzy Mercier Descloux, Mingus, or ESG and Silver Apples, or making weird krautrock and industrial music. I love dub, and Sly and Robbie. I love the productions of those records and the collective energies released by their creators in the studio. It’s just a weird thing to do it by yourself!”

Engaging with past musical glories helps deal with a major theme of this album; the awful nature of the world around us. Deradoorian: “This album is partly about watching humanity erode. It’s about mental struggle, and it’s avowedly anti-capitalist. I mean; would we have all these identity labels we have to live by, if we didn’t live in a capitalist world?”