
Anna Graves w/ Hannah Murphy
Intimate alt‑folk evening at Eddie's Attic with Anna Graves headlining and Hannah Murphy supporting
**Anna Graves live at Eddie's Attic!**
Anna Graves is an alt-folk artist whose music casts spells through storytelling. Raised on a farm in southern Minnesota, she left home chasing big dreams and bright lights, only to return years later and rediscover the mystical magic that first sparked her songwriting. Her sound weaves cinematic pop melodies with folk intimacy where vulnerability transforms into power, and heartbreak alchemizes into healing.
With over 25 million global streams and syncs in the Golden Globe-nominated series Nobody Wants This, as well as Brilliant Minds, and Chicken Sisters, Graves has built a devoted following through authentic connection rather than traditional industry machinery. Her most recent single “Hollow Bones” has 1.6M streams driven entirely by fan passion, with 15K+ TikTok creates (18M+ views) sparking organic trends across witchtok and home aesthetic communities. The track resonated so deeply that Shaboozey selected it as one of his five favorite songs for Harper’s Bazaar.
She’s opened for legends like Stevie Nicks, The Head and the Heart, and Maren Morris, bringing her intimate acoustic storytelling to stages across North America. Now signed to Rounder Records, Graves returns with Burn On, a song she first wrote in high school, rediscovered on an old computer, and reimagined with producer Davis Naish. The result is a haunting anthem of rediscovery that feels both ancient and urgent, grounded in Minnesota soil but reaching toward something universal.
Where folk music meets mystical storytelling, where farm life intersects with literary fantasy, that’s where you’ll find Anna Graves, singing songs for the haunted and the hopeful.
With her debut record, “The Problem Starter EP,” finally released and another in the works, Hannah Murphy, an Atlanta songbird and the 48th Winner of our bi-annual shootout, returns to Eddie's Attic. Showcasing new (and old) material with a stripped-down, intimate approach, she performs rooted southern folk with mandolin, pedal steel, and blues-tinged guitar, accompanied by a tight band.
Leaning on the writing styles of Joni Mitchell and Paul Simon, the vulnerability of Jeff Buckley and Fiona Apple, and the genre-bending of a young songwriter willing to accept her songs however they choose to present themselves, she takes up some serious space and aims to make her audience feel like they’ve known her their whole life. While she prepares to potentially tour and works to release a full-length album, she’ll perform material from her debut and new songs.







