
Amelia Day
Intimate indie folk-pop set by Amelia Day showcasing songs from her personal EP EGO TRIP
Amelia Day is a musical jack-of-all-trades. Standing at the intersection of folk, rock, and pop, Day blends heartfelt storytelling, raw delivery, and unforgettable melodies into music that feels both fresh and familiar — like rediscovering an old favorite. A self-described writer before anything else, her perceptive lyricism extends far beyond her 23 years, with lines reminiscent of songwriting greats like Joni Mitchell and Paul Simon.
As the Spokesman-Review notes, Day has a signature style that features “wordplay, double-meanings and rhythmic variations,” with themes ranging from journeying into adulthood to climate change. Many of Day’s songs are also shaped by her intimate relationships, where her queerness and candor take center stage. Day’s upcoming EP EGO TRIP is her most personal project yet. Lead single “Lady Los Angeles” traces the sting of betrayal after discovering infidelity, while the rest of the EP takes listeners on an intimate journey through her grieving process.
Born and raised in the small town of Sumner, Washington — the self-proclaimed “Rhubarb Pie Capital of the World” — Day has been drawn to music-making since she could walk. “I had no idea what I was doing, but I had a toy ukulele and drum, and my parents had an upright piano that I would mess around on,” she recalls. “I could spend hours just playing around on the keys, making up little songs, which my piano teacher recognized and encouraged.” By middle school, Day was already writing her own songs “about myself and my (very angsty) preteen feelings.”
Once Day got to college, she began performing her originals publicly, starting with farmers markets and local restaurants and gradually building to sold-out shows in Seattle, Boston, and D.C., plus festival appearances at Bumbershoot, Capitol Hill Block Party, Folklife Festival, and Seattle PrideFest. Day is proficient on guitar, keys, bass, and drums, often switching between instruments during her live performances, and at times stepping away from instruments to sing and dance with the mic in hand. She aims to “create an environment of complete presence and joy, but also healthy catharsis of all the worst emotions.”














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